by Wayne Upchurch
The workshop has been underway for about 20 minutes.
“Let's
start by closing your eyes”, I say.
Yes, you
read that right. Lemme back up a bit, first, for you.
When I hear
questions about learning to light for photography being met with answers about
buying this or that system of lights or a whole host of “professional” studio
lights, without really addressing what That particular photographer is wanting
to accomplish...I just shake my head and sigh.
I don't
have anything against high quality professional photo gear at all. I have used
the makeshift gear And the pro stuff, and I completely acknowledge the
superiority of really well designed, sturdy, adaptive, modular, dependable, and
color-accurate lights. So this isn't a rant about how expensive stuff is, or
about Professional Photographers; this is advocacy for learning to see the
quality...the character...of light, First. Much like the way man has always
advanced his understanding, by Observation. And Cameras are Great as
Note-takers of direct observation.
*Taken by Denise, a participant in Wayne's Lighting workshop.
My “No Sigh Zone”
With this
in mind, I have begun to offer a short class in learning to See Light. My first class of six students rang my bell on Saturday at noon,
prepared with a camera for a walkabout shoot. I had suggested they also leave,
at the door, their preconceptions about what photographic lighting was all
about, and adopt an open attitude to play with light, directly. To that end, I
also asked each of them to bring one item of their choosing that one would not normally
associate with photographic lighting. That got them thinking.
We talked
for a moment about how most of us actually know more about light and lighting
than we think we do; I say that's especially true of newer photographers. Every
day, in our homes, offices -even autos!- we adjust lighting to suit our
purposes. We open/close/shutter/shade windows and doors, turn lamps off/on, to
raise and lower the level of light. Even more importantly, regarding lighting
for photography, we tune these light sources to affect mood as well as level,
making the room great for reading fine print, or for a romantic dinner for two.
Then, when we first decide to use lights to create a photograph, we seem to
have Lost the awareness and skills, maybe thinking that the “magic” of
photography really is in the camera and in the lighting gear, in an instruction
video, etc., instead of in our own minds and hearts?
*This photo was taken by Maria during the Lighting workshop.
“Close your
eyes...and Breathe”
So, how do
we put the horse sense before the shopping cart?
After a
round of introductions, including why each of them wanted to learn to light, we
came to the part about closing their eyes. To get some of that awareness back
into play, I started with what is called a “closed eye” process, or guided
imagery “journey”. I believe it's a useful way to tap back into our mind's eye,
and remember access to our experience with light. I also believe that puts the power and
responsibility, both, in the hands of the photographer, instead of in the hands
of formal “how to” sources.
Then we
went shooting. An hour (give or take a few minutes) walking the streets of
downtown Wendell brought Plenty of opportunities to notice, find, photograph
light in a variety of characteristics, although Not concentrating at all on the
great subjects we would normally choose to photograph. We were concentrating on
photographing the light. Light, itself, was the subject, not a tool or
an afterthought. Think it's easy? Try it. You will Have to get out of your
Thinking about it, and just Look for it, React to it. Catch It!
*This photo was taken by Sam, a participant in the Lighting workshop.
What Counts?
Fortunately,
this past weekend, Wendell was host to an international food and music
festival, so we had those pesky photo subjects, but we also had Food, which
some of us partook of, bringing it back to the house to follow up and look at the
pictures.
When I
first knew the day's weather would be overcast, I was a little concerned that
there would not be the Variety of lighting characteristics to make the
walkabout as effective as it might be. So the day was discovery for me, too. As
one participant, Frank Jeffreys, remarked while we looked at the pictures in my
studio, on a fair day the light source (sun) is “Waaay over there.... “. But
this day's omnipresent soft light was Everywhere, Comfortable, even Manageable,
when influenced by the objects modifying and reflecting it. So, without taking
any lights along, participants were discovering how light works by first,
Finding it, then getting into the dance with it, a bit, seducing its portrait,
capturing its character.
Another participant, Priscilla Speed, noticed that what she
was seeing in all our resulting pictures reminded her of when she took a group
of small children out with inexpensive cameras. “What I'm seeing here is what
They got, without any instructions”.
I love it when a natural, curious, spontaneity comes
together!
“But.. what is it
a picture OF?”
A couple of comments spoke to the notion that viewers of our
photos from that day may well ask why we took these pictures. One answer might
be another question, “When you set aside what you expect a 'Good Picture' to
look like, “what do you see in these pictures?” What do we miss by deciding
what a good picture is before we even engage the one in front of us? Maybe we
could bring that same kind of openness not only to photographing, but also to
looking at other people's art, too. “what is it a picture of?” is a good
question, yet maybe one that only the viewer can really answer, whether the
answer is something we want to find, or not.
Here are some samples from the walkabout.
*“I like the
gradient on this - how the light washes across the frame. Reminds me of
how a lake looks right after the sun has risen just enough to burn
off the morning mist " -Dave Brainard
*"I like the way the row of incandescent lights
fall to the rear of the photo while the lights from the chandelier punch
through the reflections in the plate glass window." -Dave Brainard
*This was a pivotal moment, when I could suddenly see a whole
story in an arrangement of elements, in a Picture. -Frank Jeffreys (paraphrase)
In these photographs, the specific assignment was to simply
get a picture of light. Why? What would be possible in Your photographs of any
subject if you were also consciously creating the light that is consistent with
your purpose?
Wayne's Bio:
For years, as a “professional oggler” (a newspaper staff photographer for the Wilmington, NC Star-News Newspapers), I simultaneously explored photography as craft/process/medium in its own right. The photojournalism work –credentials and mindset– got me into (and out of) places I would certainly never have had access to on my own. I was also practicing the discipline of getting a picture where there didn’t appear to be one and getting it Finished in a timely manner, to professional standards. I also learned to create imminently readable images despite poor reproduction in a small size. Though it took me several years to get this, the value of making photos that illustrated something already IN the story was suddenly Not Enough, and I began to make assignment pictures to add dimensions to the writing, or better Yet, to raise questions so that the reader would go to the story for more answers.
Having gained more than I had dreamt of, when starting out, I left to pursue my own personal photography, mounting exhibits around Wilmington, up until the mid-90's. I also worked with commercial photographer friends doing studio product photography, and making headshots for actors.
Later, I also helmed two Public Radio “spacemusic” programs, and acted in a Wilmington, NC drama company.
I put the cameras away for a few years, to finish shedding the habit of self-limiting my identity as just “Photographer”, and have now returned to making pictures because I love to.
Sharing photos on Flickr, participating locally in meetups and outings, and creating experiential workshops in photography has renewed a passion for making new images and for sharing the process with others. For some time, I’ve found myself writing detailed comments on other people’s photos, sharing links to whatever I found interesting or useful, as well as writing thoughts and pet ideas about photography, in general.
Hey. . .
Isn’t that what blogging is all about? waynewarp.com
*© All photos are copyrighted and may not be used or distributed in any way.